I talk a lot about the process of exploring and discovering in my work. Indeed, my MFA Thesis Show was all about giving a full context of how I go about adventuring, prospecting, developing, and ultimately making pots from the stuff I find.
I love the idea of being an alchemist – and I describe myself as someone who uses mineralogy, chemistry, and fire to forge beautiful objects and glazes. But I have to admit that more than anything, discovering the really compelling stuff is mostly a matter of luck, circumstance, and time. It’s very labor intensive, and I’d guess that for every 10 rocks I bring into the studio, it’s usually only one or two that have any real practical value in my work. I suppose that given enough time and enough firings, one could utilize just about anything under the sun… but in the real world there’s just never enough time – or test tiles!